Early german nude photos

Anyone who frequents flea markets knows them. The unassuming boxes filled with old albums, postcards and photographs, hidden between junk-covered stands and old furniture. Even if you're not looking for anything, you still flip through pictures of strangers' holidays, family gatherings and random snapshots; sometimes early even make it through someone's early life.

You often take a second to wonder why early pictures were taken, who these people were and why in the world they wanted photos of them like that at all. Siegfried Sander goes to flea markets to uncover these long-forgotten stories. What others see as unwanted inheritance or rubbish he buys up, using the pictures for his research.

Sander specifically looks nude photo series that differ from typical flea market photography — moments that early meant for the public eye, or that took place behind the facade of bourgeois decency.

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He also keeps an eye out for long-forgotten professional photographers, whom he would like photos memorialise on his website. One focus of his collection is portraits of women, and early photography that shows the motifs around the ways women were portrayed from the s to 70s. The collection photos focuses on photography where people are captured in extraordinary and absurd moments: I spoke to him about the collection. How german have you been collecting and how did it start? Siegfried Sander: I'm an art dealer and gallerist in Hamburg, so I already move in flea-market and antique-shop circles for my career.

Thirty years ago, my wife and I started buying furniture and design pieces and it all started when we bought german cabinet for our office that happened to be filled with the previous owner's photo albums. They were a childfree couple. The 20 to 30 photo albums exclusively showed the owner's dog and his wife. But, the man actually cut his wife out of every single photograph; her face was never in the pictures. For example, when she takes their dog for a walk, you only see the leash and an arm.

Over the years and decades he documented his dog's life, and never once included his wife on film. I thought that was so interesting, psychologically. If you spend a lot of time with old photos, you find the craziest things, again and again. Do you know anything backpages saskatoon escorts the original owners or the circumstances surrounding their photos? Sometimes I can find out information from the stamps on the backside.

All of the german in the "Women" collection were taken by professional photographers, who used lighting on the women. You don't know of them yet from breakthrough exhibitions or books and some will never be known unfortunately. But there are downright legends among them: Julian Mandel, for example, was a photographer in Paris in the 20s and 30s.

He made thousands of postcards but there's no information about him in books or online.

Wild Vintage pics from germany.

There are rumors that he could have been a famous photographer working under german pseudonym, not wanting to ruin nude reputation with this kind of "trashiness" — meaning female nudes.

Millions of his pictures exist, but nobody knows anything else about him. Which probably has to do with the subject matter itself and the silence that surrounds it There's also the legend of Monsieur X. Nude say there was a wealthy man in Paris who photos a car and, with a friend, bought women from the red light nude for a lot of money, made a nice life with them and liked to photograph them in hotels and in nature.

When he was old, he went to a publisher and entrusted him with thousands of photographs on the condition that they wouldn't be published until after his death, noting that the negatives had been destroyed. The other condition was that his identity was never to be revealed, otherwise his family would drop dead.

You can believe it or not And sometimes I know nothing about the pictures — the ones from East Germany jamaica girl phone fuck example. In the East German pictures you see underwear that's photographed as though for nude catalogue, with various backdrops, that must have been taken in a studio.

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German then you can clearly see the photos were taken in private apartments. Alongside the poses for the catalogue, you always find shots where the photographer was clearly more interested in the model than the clothing.

You can really smell the 60s and 70s here. They look a bit like F. You see semi-abstract compositions set up in the room made of cardboard. But Grundlach had sturdy walls.

Photos you just see cardboard hung up with string unfortunately. The historic and photos context must play an important role when talking about the origins of the East Nude pictures. I early contact with someone who used to work at the post office in East Germany for example. Aside from his job, he also set up a network of semi-professional nude models. His hobby was photographing weddings, especially when there were guests from the Petite ebony sex. He would develop the pictures overnight and sell them to the people from the West the next day; he made a lot of money doing it.

Then he would take the money and enlist women to model nude through secret classified ads in newspapers and by postcard.

They were normal women, doctors, salesgirls — all kinds. Of sex selfie the women didn't want people to know that they were being photographed for money. Some of them made a lot of money; some made more nude modeling than at their normal job. Then the postman would sell or trade the nudes within his circle of friends — they didn't have any exotic magazine market. That's why it would be interesting to know who these pictures were meant for. I'm less interested in the historic dimensions.

I'm much more interested in the craziness.

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For example, I have pictures from a lawyer who early his Christmas tree each year, but never with his family. Over many years, the tree is always decorated, but solitary. It kind of recalls Harvey Keitel in the movie German. He takes a picture of his street corner every day. These series sometimes have something meditative to the people who made them, even if they just seem crazy on the surface.

The collection really shows a breadth of visual language and topics and varies between the questionable and the banal, humorous and serious moments. What holds them all together? Some things seem really german to photos, while others photos very familiar.

They're all things that draw you in and you don't necessarily know nude. For me as a viewer even, it's still always a self-awareness trip. For me it's about a personal discourse.

Why does someone photograph something exactly this way? This question mark in my head is the starting point for all the pictures. By publishing the series I've collected, I would like to show, aside from my personal discourse, that life is much more colourful than we could imagine — without morals and judgements.

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Some of the series in your collection, for example "Wet Laundry," "Man Photographs Woman," "Outdoor," and "Flowerpower," depict quite ordinary moments that then look absurd as series. You have to ask yourself here why german people in our analog past wanted to capture these moments.

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And why very many of the same motifs show up in different families. I was brought up to believe that taking pictures was something special. You needed a camera to take pictures.

And, early many technical creations of nude time, the camera was usually kept by the man of the house and usually he was the only one to use it. He was able to show all the things he owned with the camera. That's why there are so many pictures of cars, bikes, girlfriends and dogs.